
電影《謊島叛變》The Island (2005) 原聲配樂裡,有Steve Jablonsky 神來之筆的 My Name is Lincoln。這短曲波瀾壯闊,令這套商業電影生色不少 (當然 Ewan McGregor 也功不可沒)。
http://www.youtube.com/watch?v=7V-9X35vB4M
順帶一提,電影裡面出現的一首遊艇,是價值二千五百萬歐羅的 118 Wallypower。
Some people say that happiness is the utlimate end of one's life. What should we do to attain happiness?












信報2010年4月13日

有個和尚寫了一本教人挨罵的書。這個人是日本高幡不動尊金剛寺的川澄祐勝。說到出 家、在寺廟 中生活,一般人會以為日子該過得很清靜吧。看了這本《被罵的幸福》,這不動尊金剛寺還真不安靜啊。不但事情多,罵人的聲音好像也不絕於耳的樣子。川澄和尚 在寺裏是擔任總務之職,也就是說要負責寺內各種活動的場地和用具布置等等。負責這些吃力不討好的雜事,自然不免挨罵。在被罵三十年後,川澄和尚最終當上了 住持。追究起這從小和尚到大住持的過程,他把「挨罵」當作他個人修行路上最大的助益,也是他的師父秋山教導他的方法。
當中有一段「事情做 好 了也會被罵」的經歷,我讀了頗有同感。川澄和尚在廟裏做事並不是只因為事情沒做好而挨罵。從書裏看來他還算是個挺會做事的人,所以才被指派負責總務。不過 有時辛苦把事情做好了,還是挨罵,而且是在眾人面前毫不容情、冷冷地罵。當時川澄四十歲,已經不是小和尚了,在寺內進行防火演習前鉅細靡遺地做好了準備, 沒想到還是遭到他的師父冷眼對待。川澄和尚像參話頭般檢討事情前後,得到這樣的結論:「我反省自己在準備時的心情,確實有點自命不凡,『這間寺廟大小事都 逃不過我的眼睛。接下來只要這麼做就行了。』或是『希望別人認為我是個機靈的人』的心眼,都被師父看穿了。師父斥責的是連我自己都沒注意到的傲慢心,他的 法眼令我五體投地。」
秋山師父說:「有時候覺得會搔頭說『聽不懂』的人比較可愛。」一直自認很能幹、聰明、努力的人,被這樣說應該不會太 開 心吧。我最近就常覺得自己缺乏「被罵的才能」。被罵了,低頭認錯之外,不會讓氣氛停留在被罵的僵局,讓罵的人發洩而事情又可以進展,也是一種才能。從小用 「把事情做好就不會(也不該)被處罰」來規避打罵的我,不知不覺會認為「沒被處罰是因為自己事情都做好了」。這種想法在順境中還好,卻不能處理逆境,與人 生中不可避免的被誤解、被厭惡、被打擊的時刻。


This is an old entry of my log on 21 July 2008.
One day in 2002, I was on my way back to the city where I stay, stopping over in Tokyo. I took the Airport Limousine to Shinagawa Prince, and on the way, the bus stopped by Laforet in Shinagawa, before stopping at the Prince. I had been to Japan for so many times that I thought I should get used to the scenary of this country and should not have profound feeling when encountering something new. I had this thought many times but each time I was proven to be wrong. Every time I met with something of my taste in Japan, be it a new thing or a familiar experience, I had that refreshing feeling. Laforet, again, gave me the refreshment I longed for. Probably I was awaken after a brief nap which I always did whenever I sat inside a limousine bus to downtown Tokyo. I saw a couple of bellboys, welders and disciplined, picking up luggages for their clients at Laforet. What a beautiful moment! The yellowish light at the entrance that appeared to glow exceptionally bright, accompanied by the darkening sky with the fiery purplish hue, presented the best picture of the working bellboys. I was not sure what this hotel was, but not long after this moment, my memory put this picture away. All I had perhaps was a faint memory of the word Laforet. Time flies, and 6 years later, I again planned my trip to Japan of this year. I haven't gone to Japan this year because of the honeymoon for which I chose France. The autumnal temperament made a sojourn to Japan inevitable and irresistible. Except one in the early 1990s in which I was a college student, my trips to Japan were never budget ones. I am never thrifty when coming to enjoying the best of Japan. I am not particularly financially better off, but I think that whenever affordable, I should enable my heart and soul to be touched by the essence of Japan without disturbance. One way to achieve this is to make peace of mind a first place. I do not need to worry about transportation, accommodation, food, books and sightseeing arrangements. So I would choose the best that I can afford. One day when I was browsing on the Net for hotel information, the picture of the Laforet bellboys at dusk was suddenly retrieved from the archives and it gave me the comforting moment as strong and alive as when in 2002 I actually saw them. The actual substance of this moment remains somewhat beyond verbal description, but the desirability and comfort drawn on the picture I recalled and the Japan I know definitely played an important part here. I decided to look for Laforet and my memories were correct. Can I really experience Laforet this time? From a commuting perspective, it is not truly a desirable place. Laforet is located in Shinagawa, a short distance from the JR station. Although Shinagawa is not comparable with Shinjuku, Shibuya or Ikebukuro, if trendy nightlife is your goal, it has certain attractiveness to me, so to speak, for it is still on the Yamanote Line and Shinjuku and Shibuya are only a couple of stations away. But Shinagawa is far subtler in the sense that the chances of meeting those loud people from the city where I stay would be much lower, and it has also some historical significance not far from that which you would find in Shinjuku, Ginza or Tokyo Marunouchi.
I don't know what else to say...but I am certain that the reality created by, if you will, the Laforet experience, would be an enjoyable one - it is a pursuit of happiness, serious and far from frivolous, stretching the amplitude of life, in what I believe is the highest level of human living. That evening, alone and tranquil, was a moment and it was eternity.
Shinagawa gives me another misty impression of Japan, which, despite such poetic obscurity necessary for aesthetics, is absolutely endearing, a feeling from within. I do not like commercial slogan but I cannot but admit that this makes feel home - Home Away from Home, a motto found on the brochure of The Strings in Shinagawa, an InterContinental Hotel. It would be unnecessarily profound to be ontological about Home Away from Home, as I did quite some time ago. Comparing Home Away from Home with Nirvana or plugging it into an ontological argument that 'Japan is home' per se is undeniable may still be logically and analytically understandable but will easily be rendered nonsensical. If you read existential writings of Continental Europe, you will oftentimes find something similar, well, by all means, as ontological as Home Away from Home, so gorgeously packaged in philosophical wrap, pretentiously posed for eternal discussion aimed not at finding an answer but meant to continue the game. However, from deep within myself is there a sense of aesthetics that guides my feeling, temperament and disposition; and this sense of aesthetics produces such power on me that I say, 'yes, I am home.' Such proclamation, so devoid of patriotism, is simply here, inside me. Some scenary such as Laforet or Gingakuji provokes the aesethetical sense to lead me to say 'yes, I am home'. The Strings is again another provocation - or put it more mildly - stimulus. With it I have the confidence to say, 'go back where you belong, patriotism.' At least, patriotism or chauvanistic nonsense attaced to my population in this case becomes obsolete and highly obscene, not to mention blasphemous against humanity.
This newspaper always makes me feel happy in such a way in which philosophers define happiness. The obituary in the latest copy on Ta Mok, "the surviving leader of the Khmers Rouges", who died on 21st July, is very interesting. Ta Mok commented on his comrade Pol Pot that he had fallen like "a ripe papaya" and was now no more than "cow shit". In fact, Ta Mok added, Pol Pot was less than that. Cow shit was useful.
Perhaps now with the same peasant's brutality, one may say to Ta Mok, "ditto".
I take the liberty to say, very humbly, that Ta Mok's usefulness does not lie in the instrumentality as cow shit, which provides the necessary nutrients to plants. It reminds us that we have to be intelligent and brave in order to not let the evil take charge of our lives, regardless of whether the evil is as necessary in essence to make humans more enlightened as cow shit to make plants more robust.